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Trier: the women’s archivesAn exhibition presents the regional history of women’s and lesbian movements since the 1970s. It is scheduled to run at Weberbach until the end of the year.
At the BnL, choose a book by starting with a questionArtificial intelligence in October, human rights in November, novels in December: the reading room’s selections offer starting points for exploring the collections.
Moss Kita at the CNL: giving illustration a place of its ownNadežda Kozomara’s archives shed light on the creation of the images in Guy Rewenig’s book. They invite us to regard the illustrator as an author in her own right.
Digitised books at the BnL: check access title by titleTwo announcements in 2026 concern thousands of books, with different arrangements. A digitised document is not necessarily readable from home.
Pause at neimënster: three Sundays to broaden your jazz horizonsShekBand, the Wladigeroff brothers and a Franco-Luxembourgish meeting mark the autumn. An introduction to the Pause series through its ensembles and exchanges between musicians.
At auction, the hammer price is not the whole billBuyer’s fees, any platform surcharge and transport: the final amount is something to work out before bidding. An example published by a French auction house helps explain the calculation.
Object ID: giving your collection a precise memoryA single photograph does not tell you everything about an object. The standard presented by ICOM helps bring together identifying information, which is useful in particular if an object is lost or stolen.
Buying a print: owning the object, understanding the rightsA photograph can be both a collectable object and a protected work. The French Ministry of Culture’s guide encourages readers to distinguish the physical medium they acquire from the rights that allow it to be reproduced or shared.
An artwork’s provenance: the gaps are part of the record tooBehind a list of owners, there must be documents and verifiable links. A guide from the French Ministry of Culture highlights the importance of research that preserves its uncertainties.
LOOK!: the second life of a garment in a museumOpened in Paris on 30 September, LOOK! celebrates forty years of fashion at the Musée des Arts Décoratifs. Its focus goes beyond the catwalk: what happens to a piece when it enters a collection?
The Antwerp Six: one collective name, six individual pathsAt MoMu, the exhibition looks back at the international breakthrough of 1986. An opportunity to consider what connects six designers without reducing their work to a single style.
Costume Art at the Met: seeing the body through clothingIn New York, the Metropolitan Museum brings garments into dialogue with works from its collections. A way of questioning the place of the clothed body in art history.