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Julien Rieu de Pey: from backing bass to solo projectWith L’avenir des pierres, released on 23 October 2026, bassist Julien Rieu de Pey continues a documented move from backing others to writing in his own name.
Jean Amrouche: the interview serial, a work in two voicesIn 1949, his conversations with André Gide established a serial format on the radio in which preparation mattered as much as conversation. The archives help us understand the method.
Ibeyi: with Offering, independence is built togetherReleased on 26 June 2026, the duo’s fourth album marks a new chapter: their own label, new producers and a different way of writing together.
Mobil Home: Florent Marchet draws on encounters to write about precarityIn the song that gives the album its name, Florent Marchet connects precarious housing with lives he has encountered. His interview with La Face B sheds light on his character-building process.
France: leave for victims of sexual violence remains under debateThe measure passed on 13 October distinguishes between employees and public-sector workers. It remains a proposal, while current obligations regarding harassment remain in force.
La Foudre: Aloïse Sauvage puts movement before wordsFor La Foudre, released on 23 October, Aloïse Sauvage says she changed the way she writes music. The album took shape with Mathieu Epaillard, starting with the body and melodies.
Kopp Johnson: a song that mobilises also creates expectationsFrom Gilet jaune to La Réforme 49.3, archives and the rapper’s own words shed light on how songs circulate and the role audiences assign to an artist.
With a baby, a bond can develop graduallyFeelings of closeness, care and interaction do not always develop at the same pace. Ways to understand your bond with a baby without judging yourself.
Une femme aujourd’hui: Guédiguian links the personal to collective historyReleased in France on 21 October, the film puts Marilou Aussilloux at the centre of a story of rebuilding. Robert Guédiguian’s intentions shed light on the project.
Mnouchkine’s Molière: an original score and borrowed musicThe film credits and the album programme shed light on the roles of René Clemencic and his ensemble, as well as on pre-existing works.
At Matignon, influencers and unions: two channels for young people’s voicesThe meeting on 26 October prompted differing reactions. Online reach, union demands and decisions yet to come are not the same thing.
Rite cruel: Bernard Lavilliers rediscovers the poetry of the ResistanceOn his album, released on 23 October, Lavilliers sets Berceuse des enfants d’Europe, a text by Louis Cauchois, to music. The interview and credits shed light on this choice of writing.