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Lakecia Benjamin playing the saxophone at the Oslo Jazz Festival on 16 August 2022. Archive photograph.Music · Oct 27, 2026We Dream: Lakecia Benjamin broadens the circle of her jazzOn We Dream, Lakecia Benjamin brings together instrumentalists and voices from a range of backgrounds around her alto saxophone.Golden croissants in a wicker basket, with serving tongs.Food and dining · Oct 27, 2026From restaurants to daily bread: two food-focused career changes in ArdècheOne left restaurant kitchens to open a bakery and patisserie; the others left research to take over a café, restaurant and grocery shop.Detail of the body and strings of a jarana jarocha made in Santiago Tuxtla. Illustration.Music · Oct 27, 2026Planète Ocora: Mexican strings and intertwining voices, from Noemi Gasparini to MAAARNoemi Gasparini’s violin, jarana and percussion; MAAAR’s three voices and accordion: Planète Ocora introduces two groups through their instruments and musical journeys.An empty dance studio with a wooden floor, barres and large windows, seen through a glass partition.Performing arts · Oct 27, 2026Inclusive dance in Nice: creating a piece with different movementsDancing together does not mean everyone has to make the same movement. In Nice, ACA Cie – ACorps d’Art offers adapted and inclusive workshops at Le 109, a contemporary culture centre.Road and Mercantour mountain scenery above the Vésubie and Boréon valleys, on 10 July 2024. Illustration.France · Oct 27, 2026After Storm Aline: why reopening a road is not the same as rebuilding a valleyReopening a road makes it possible to reach a home; rebuilding infrastructure commits a valley to years of work.Rebeka Warrior, wearing a hood and sunglasses, sings into a microphone on a blue-lit stage.Books · Oct 27, 2026All the Lives of Rebeka Warrior: writing when death enters the roomA bedroom, a mosquito net, a narrator keeping watch: in the extract from All the Lives offered by Stock, death becomes a presence they try to keep at bay.Orchestra in the Radio France auditorium in Paris in 2014, an archive photograph illustrating orchestral work; this scene does not depict Carmen in Pontacq.Performing arts · Oct 27, 2026In Pontacq, learning Carmen before singing it on stageTaking part in Carmen through the chorus, learning the score and then working on performance with professionals: this is the programme announced in Pontacq for the first half of 2027.Painted pipes of the organ at St Peter’s Church in Shorwell, Isle of Wight, photographed in 2011. Illustrative image; this is not the Radio France organ.Music · Oct 27, 2026Point d’orgue: Alma Bettencourt brings new music to a Bach programmeAmid the transcriptions, jazz and improvisations around Bach, a new work found its place.Facade of the Palais Brongniart, former home of the Paris Stock Exchange, in February 2018. Illustrative photograph.Finance · Oct 27, 2026Ten-year OATs: why crossing 5% matters for France5.082% on 22 October, then 4.907% on 26 October: the French ten-year yield crossed a threshold before falling back. This market movement affects the state’s future borrowing conditions.Demonstrators on Boulevard Soult, in Paris, on 24 October 2026. Illustrative photograph.Politics · Oct 27, 2026Riots or armed conflict: what words change in lawImages of violence may be enough to make the expression “civil war” circulate. Humanitarian law examines more precise elements: the intensity of the fighting and the organisation of the groups involved.Pascal Mahé, wearing glasses and a blue polo shirt, standing in front of his team’s bench.Sport · Oct 27, 2026Pascal Mahé: from Barjots medals to youth coachingWorld champion in 1995, Pascal Mahé is also listed among the staff at Normandy’s elite sports academy. His career sheds light on several forms of passing on knowledge in handball.An open book on a table, with a cup and a phone in the background. Illustrative photograph from 2016, unrelated to Emmanuelle Loyer’s book.Books · Oct 27, 2026Françoise Dolto: a new biography revisits her legacyA biography of Françoise Dolto by Emmanuelle Loyer is published on 29 October. Her influence on childhood, her media profile and contemporary criticism are put into context.
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