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Demonstrators with their placards at Place du Peuple in Saint-Étienne, on 9 March 2019, illustrative photograph.Music · Oct 28, 2026Kopp Johnson: a song that mobilises also creates expectationsFrom Gilet jaune to La Réforme 49.3, archives and the rapper’s own words shed light on how songs circulate and the role audiences assign to an artist.Dimitri Chostakovitch sitting at a desk in front of a piano in 1940, archive photograph.Books · Oct 28, 2026Together: Irina Chostakovitch at the heart of a collected accountCollected by Elena Yakovitch and translated by Maria Matalaev, Irina Chostakovitch’s testimony conveys an intimate memory. A look at how it was made.Albert Bartholomé’s war memorial in Père-Lachaise cemetery, photographed in 2023.Visual arts · Oct 28, 2026At Père-Lachaise, Bartholomé sculpts a collective memoryWith his war memorial, Albert Bartholomé shifts the focus from famous tombs to the unnamed. His models shed light on this compositional choice.Jean-Baptiste Thoret signing a book at the Cinémathèque française in April 2023.Cinema · Oct 28, 2026Make My Day!: a film, but also ways in to watching itThe collection edited by Jean-Baptiste Thoret for StudioCanal accompanies its films with introductions and documents. The edition of The Hole offers a concrete example of what this editorial work contains.Dominique A seated, holding a microphone, at the Charabia Festival in Reims in 2025, archive photograph.Music · Oct 28, 2026Dominique A: with Mark, a youthful influence finds its way into SpiralesThe song Mark refers to The Opposition singer. This memory sheds light on an album where Dominique A returns to the electric guitar and places from his past.The Orangerie at the Palace of Versailles and the flowerbeds in its gardensClimate · Oct 28, 2026At Versailles, adapting heritage to the climate begins with observationHeat, humidity, drought: the palace and its gardens do not call for the same responses. Monitoring collections and biodiversity helps guide interventions.Cross-section of a compost bin showing organic matter at different stages of decomposition, illustrative photograph.Environment · Oct 28, 2026In Strasbourg, Sikle connects food waste to the soil through bicycle collectionComposting near market gardeners and gardens sets the Sikle project apart. This route must be distinguished from the public collection and anaerobic digestion scheme.Gautrot Aîné baritone saxhorn, c. 1875, photographed for the Auckland Museum collection; historical illustration.Music · Oct 27, 2026Azulejo: five viewpoints for organ and saxhornsLaurent Durupt pairs an organ with a saxhorn quartet in five movements that can be played in any order. The image of ceramic tiles illuminates the structure of this work, recorded in 2024.The Seine looping around Île Seguin and Boulogne-Billancourt, seen from the ISS on 30 May 2020.Visual arts · Oct 27, 2026On Île Seguin, Le Large brings the factory into dialogue with contemporary artOpened on 17 October in Boulogne-Billancourt, the art centre is showing “Moteur, Imaginaire” until 7 March 2027. The exhibition takes Renault’s industrial history as its starting point.Multicoloured chrysanthemum pots grouped together in a greenhouse, photographed in 2011; illustration of potted plants, with no watering system shown.Lifestyle · Oct 27, 2026Houseplants: can a wick water them while you’re on holiday?A piece of string, a reservoir and water: a capillary system can help while you’re away, provided you test its flow and avoid waterlogging the roots.Loulou Gasté and Line Renaud on a balcony in Toulouse, 5 May 1972.Books · Oct 27, 2026Line Renaud: from ‘The Archives of My Life’ to collective memoryPublished on 14 October 2026, Line Renaud’s book opens a window onto her memories. The donation of her archives and those of Loulou Gasté had been announced as early as May 2025.1789 medal depicting deputies renouncing privileges in the chamber of the National Assembly.Opinion · Oct 27, 2026Demonstrations ‘without violence in the past’: what the archives really tell us1789, May 68 and research into civil resistance: the past never simply pitted good, peaceful marches against bad, violent protests.
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