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Anaïs Delva, who plays Fiona in Shrek the Musical, in a 2016 portrait; archive.Performing arts · Oct 27, 2026Shrek at the Folies Bergère: the fairy tale comes to life with a French cast and voicesJeff Broussoux plays the ogre and Anaïs Delva the Princess Fiona in the production adapted and directed by Philippe Hersen. Cast, announced plans and practical details for this family show.Grian Chatten on the microphone with Fontaines D.C. at Sydney’s Laneway Festival on 5 February 2023.Music · Oct 27, 2026Fontaines D.C.: Dopamine Chamber extends the transformation of RomanceReleased on 16 October 2026, the Irish band’s fifth album brings James Ford on board as producer and features Rosalía on one track. An album to look at beyond the post-punk label.Antique two-pan scales, a symbolic illustration of justice unrelated to an employment tribunal hearing.Jobs · Oct 27, 2026Employment tribunals in 2026: what matters before starting proceedingsAn employment dispute needs to be prepared well before the hearing: you need to identify your claim, keep the relevant documents and act within the correct time limit. In France, the number of cases brought before employment tribunals is rising, and the formalities changed in 2026.Lakecia Benjamin playing the saxophone at the Oslo Jazz Festival on 16 August 2022. Archive photograph.Music · Oct 27, 2026We Dream: Lakecia Benjamin broadens the circle of her jazzOn We Dream, Lakecia Benjamin brings together instrumentalists and voices from a range of backgrounds around her alto saxophone.Detail of the body and strings of a jarana jarocha made in Santiago Tuxtla. Illustration.Music · Oct 27, 2026Planète Ocora: Mexican strings and intertwining voices, from Noemi Gasparini to MAAARNoemi Gasparini’s violin, jarana and percussion; MAAAR’s three voices and accordion: Planète Ocora introduces two groups through their instruments and musical journeys.Rebeka Warrior, wearing a hood and sunglasses, sings into a microphone on a blue-lit stage.Books · Oct 27, 2026All the Lives of Rebeka Warrior: writing when death enters the roomA bedroom, a mosquito net, a narrator keeping watch: in the extract from All the Lives offered by Stock, death becomes a presence they try to keep at bay.Orchestra in the Radio France auditorium in Paris in 2014, an archive photograph illustrating orchestral work; this scene does not depict Carmen in Pontacq.Performing arts · Oct 27, 2026In Pontacq, learning Carmen before singing it on stageTaking part in Carmen through the chorus, learning the score and then working on performance with professionals: this is the programme announced in Pontacq for the first half of 2027.An old book open in the foreground, with blurred bookshelves in the background.Books · Oct 26, 2026‘Le Rien’ by Andrée Chedid: joy touched by timeIn this poem from Rythmes, repetition carries an attachment to lived moments towards an ending that shifts the scale. A way into the text, without reducing it to a message.Portrait of Galina Vishnevskaya in 2008.Music · Oct 26, 2026Galina Vishnevskaya: from Tatyana to recital and mentoringThe soprano’s centenary offers a way to connect her roles at the Bolshoi, her recitals with Rostropovich at the piano and her work with young singers.A hand presses down on the strings of a wooden violin, shown in close-up.Music · Oct 26, 2026Concerts for children: choosing between opera, a cine-concert and an orchestra from 28 to 31 OctoberIn Dinard, Paris and Montpellier, three ways to get into music during the 2026 school holidays. Recommended ages and formats matter just as much as the repertoire.1789 medal depicting representatives relinquishing their privileges.Books · Oct 26, 2026The Abolition of Privileges: entering the night of 4 August with Bertrand GuillotBertrand Guillot’s account gives the people involved in a textbook date a voice. A way into the book that distinguishes the decision of 1789 from the long disappearance of feudal rights.Black and white keys on a wooden piano, photographed close up.Music · Oct 26, 2026Misty: how Erroll Garner’s melody became a standardFirst an instrumental piece in 1954, then a song with lyrics by Johnny Burke, Misty has crossed jazz, popular song and cinema.
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