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Black grand piano with its lid open at the Kunsthalle in Mainz; illustrative photograph.Music · Nov 1, 2026Erik Orsenna and Claire-Marie Le Guay: two ways into BachA childhood memory, a book in two voices and a piano programme: Erik Orsenna and Claire-Marie Le Guay invite us to discover Bach through different doors. Here are some pointers for moving from the story to the works.A white-and-blue AVE train beneath overhead wires, with a castle on a hill in the background.Europe · Oct 31, 2026High-speed rail in Spain: what the record number of lines doesn’t tell usThe EU’s largest dedicated network, increased competition and cheaper tickets: Spain’s results are real. The disruption in 2026 also shows its limits.Archive portrait of Robert Guédiguian in October 2011.Cinema · Oct 28, 2026Une femme aujourd’hui: Guédiguian links the personal to collective historyReleased in France on 21 October, the film puts Marilou Aussilloux at the centre of a story of rebuilding. Robert Guédiguian’s intentions shed light on the project.Microphone and pop filter in a recording studio in 2019; illustrative photograph.TV series · Oct 28, 2026Dragon Ball Daima on Gulli: a new French dub and familiar voices missingGulli is scheduling the first episodes for 4 November. The series’ familiar French voice actors explain why they disagree with the terms of the new contract.Kylian Mbappé wearing a PSG shirt in December 2018, archive photograph.Football · Oct 28, 2026Mbappé and China: Real Madrid also apologisesAfter Kylian Mbappé and LaLiga, Real Madrid issued an apology on 28 October. The commercial and broadcasting responses remain distinct from these statements.Jean-Baptiste Thoret signing a book at the Cinémathèque française in April 2023.Cinema · Oct 28, 2026Make My Day!: a film, but also ways in to watching itThe collection edited by Jean-Baptiste Thoret for StudioCanal accompanies its films with introductions and documents. The edition of The Hole offers a concrete example of what this editorial work contains.Frontages, shops and passers-by on rue Aristide-Briand in LongwyFrance · Oct 28, 2026Insurance in France: understanding how riot risk is fundedThe French system distinguishes between funding by insurers, European authorisation and regulatory implementation. For a claim, the cover in the policy remains decisive.The north face of the Grandes Jorasses, photographed on 13 August 2013.Sport · Oct 28, 2026Charles Dubouloz: changing tack after major solo climbsWith Une flamme en hiver, written with Benjamin Steen, the mountaineer looks back on a trilogy spanning the Alps and the Pyrenees. His career raises another sporting question: when should you decide to change disciplines?Gautrot Aîné baritone saxhorn, c. 1875, photographed for the Auckland Museum collection; historical illustration.Music · Oct 27, 2026Azulejo: five viewpoints for organ and saxhornsLaurent Durupt pairs an organ with a saxhorn quartet in five movements that can be played in any order. The image of ceramic tiles illuminates the structure of this work, recorded in 2024.Thierry Lhermitte in an archive photograph dated 18 December 2008, during the tour of Biographie sans Antoinette.Profiles & stories · Oct 27, 2026Thierry Lhermitte: a curiosity about research turned into a work of knowledge-sharingWith Passeur de science, published in autumn 2026, the actor builds on his laboratory visits and columns. A career as a science communicator rooted in encounters, without confusing fame with medical expertise.Overhead cockpit panel of an Airbus A320, illustrative photograph from 2013.Jobs · Oct 27, 2026Pilot fatigue: what the 2026 European survey revealsAmong respondents, 24.2% say they usually fly without reporting that they are unfit to do so because of fatigue. The survey focuses in particular on whether they can report this state without fear.1789 medal depicting deputies renouncing privileges in the chamber of the National Assembly.Opinion · Oct 27, 2026Demonstrations ‘without violence in the past’: what the archives really tell us1789, May 68 and research into civil resistance: the past never simply pitted good, peaceful marches against bad, violent protests.
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