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CDs, MP3s and streaming: why the ways we listen to music are diversifyingStreaming still dominates the global market, but CDs and local files retain their uses. Figures for 2025 published in 2026 shed light on the choice between access, collecting and autonomy.
Charpentier’s Médée: voices bring the tragedy to life in concert performanceThe concert on 30 September 2026, featuring Marie-Nicole Lemieux and Les Épopées, was broadcast on France Musique on 24 October. A few pointers for approaching the work.
Why do we love listening to sad music?A melancholy song can tug at the heartstrings while also bringing pleasure. This paradox has less to do with sadness itself than with the safe setting in which we listen, our memories and the feeling of being moved.