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Facade of the Palais Brongniart, former home of the Paris Stock Exchange, in February 2018. Illustrative photograph.Finance · Oct 27, 2026Ten-year OATs: why crossing 5% matters for France5.082% on 22 October, then 4.907% on 26 October: the French ten-year yield crossed a threshold before falling back. This market movement affects the state’s future borrowing conditions.An open book on a table, with a cup and a phone in the background. Illustrative photograph from 2016, unrelated to Emmanuelle Loyer’s book.Books · Oct 27, 2026Françoise Dolto: a new biography revisits her legacyA biography of Françoise Dolto by Emmanuelle Loyer is published on 29 October. Her influence on childhood, her media profile and contemporary criticism are put into context.Potted chrysanthemums in Dompierre-sur-Mer, photographed on 29 October 2011. Illustration.Grand Est · Oct 27, 2026At Les Mesneux, chrysanthemums continue a market-gardening storyNear Reims, GAEC Kleinau combines vegetable growing and horticulture. As All Saints’ Day on 1 November approaches, the flowers recall an activity that has been part of the family business from the outset.The fort at Madama in Niger, photographed in June 2017. Archive.Politics · Oct 27, 2026Algeria–Niger: what the vote on sending troops authorisesFollowing the parliamentary vote on 25 October, Algiers is planning a deployment to Madama. The timetable and troop numbers remain unknown in information available on 26 October.A Li Auto i6 on display in China in September 2025, archive photograph.Business · Oct 27, 2026Li Auto prepares European launch for early 2027: the announced stepsThe Li 6 is due to arrive first in the Netherlands and Norway. The announcement also includes a service network, whose roll-out remains to be seen.Coca leaf covered in water droplets, photographed close up.Politics · Oct 27, 2026Bolivia: why the coca leaf remains controlled despite its traditional usesThe cultural uses of coca continue to be recognised within a national framework. International controls also address the risk of diversion to cocaine production, while the area under cultivation continues to grow.Windows, balconies and dormer windows on a Haussmann-style façade in Paris.Finance · Oct 27, 2026Property in France: a slowdown does not mean prices are collapsingSales of existing homes are still up year on year, but the recovery is losing steam. Prices, transactions and interest rates are moving in different ways.Frontage and entrance of the Action store in Carpentras, France.Business · Oct 27, 2026Low prices: what Action’s model changes in the shopping basketStandardised costs, frequent new arrivals and comparison of pack sizes: understanding the appeal of discount shopping without confusing low prices with savings on total spending.Electricity pylons and power lines in a field in Sainghin-en-Mélantois, France, illustrative photograph from 2023.Environment · Oct 26, 2026France exports electricity: is it really independent?With net exports of 92.3 TWh in 2025, France has set an electricity record. But its reliance on oil, gas and uranium tells a different story about dependence.Three fuel storage tanks in Oulu, Finland, photographed in 2012.Europe · Oct 26, 2026Oil reserves: why 90 days does not guarantee three months’ supplyIn Luxembourg, as elsewhere in the European Union, emergency stocks are subject to precise rules. Their volume is not enough to predict how long a shortage will last.Pink ribbon symbolising breast cancer awareness against a light background; illustrative photograph, with no patients depicted.Health · Oct 26, 2026Pink October: behind the ribbon, questions of health and transparencyAssociations are challenging the commercial use of Pink October. How can we distinguish support for patients, breast cancer prevention and brand communications? Useful information for Luxembourg.Auguste Rodin’s sculptural group The Burghers of Calais, photographed in London: illustrative archive image, unrelated to the 2026 publication.Visual arts · Oct 26, 2026‘Art History’: why telling the story of artworks differently changes how we see themA collective volume edited by Étienne Anheim, Laurence Bertrand Dorléac and Charlotte Guichard proposes revisiting art history through materials, places, problems and methods.
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