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Final Fantasy Resonance: what you can discover in the demoA free first chapter, transferable save data and turn-based combat: what to check before discovering this Final Fantasy game.
AI agents at work: what TheAgentCompany really measuresCarnegie Mellon’s test checks tasks in a simulated company. Its first scores date from 2024: they explain some limitations, but do not rank today’s AI systems.
After the vote, keeping the committee activeSecondary school pupils elect their representatives from 26 to 30 October. Between the classroom, the committee and the CNEL, several channels allow them to put forward their requests.
Fit 4: funding the assessment before investingLuxinnovation’s programmes are changing. Cybersecurity, digitalisation, organisational matters and the environment relate to different areas of work.
Speech recognition: what errors should we count?The latest Common Voice release distinguishes between read speech and spontaneous responses. This difference sheds light on the error rates displayed by transcription tools.
The words that make the film visibleThree audio description teams explain their choices in writing, reviewing and sound. Their shared challenge: to convey the image without overwhelming the film.Bank transfers: what does checking the beneficiary’s name verify?The name and IBAN are checked before the transfer is sent. This helps identify a mismatch, but does not guarantee that an invoice is legitimate or that the funds can be recovered.
Subtitles: words in time with the seriesReading time, cuts and consistency between episodes: Netflix’s guidelines reveal the decisions behind the words displayed on screen.
Fake banker: taking control of the callA familiar number is not enough to authenticate a caller. In Luxembourg, advice from the Police and a brochure shared by the CSSF can help you check a request before acting.
B2B invoicing: prepare for the transitionReceiving before having to issue: the Luxembourg project provides for several stages between 2028 and 2029. As at 2 October 2026, the bill is still at the parliamentary stage.
Otello at the Grand Théâtre: preparing your ears and eyesVerdi returns in October in a production directed by Ted Huffman, with Giulio Cilona as musical director. Three performances are scheduled, in Italian with surtitles.
La Fête: a work of fiction that questions everyone’s placeThe play by Anne-Cécile Vandalem and Joëlle Sambi arrives on 29 and 30 October. Its real-life starting point should not lead us to confuse a theatrical encounter with a judicial reconstruction.