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Woodstock: behind the granola, a kitchen to feed the crowdIn August 1969, shortages made food a major issue at the festival. The Hog Farm’s free kitchen tells a different story from the one played out on stage.
Clara Haskil: in Vevey, a refuge turned into a musical legacyA refugee in Switzerland from 1942, Clara Haskil left a mark that goes beyond her recordings. From her concerts to young pianists winning prizes in her name, Vevey offers a way to trace the paths of this legacy.
Bach rediscovered, transcribed, reinvented: three ways to bring his repertoire to lifeThe tenth anniversary of *Le Bach du dimanche* brought together archival research, jazz and contemporary composition. A programme to understand how a body of work continues to circulate.
Dohnányi and Schumann: how the piano changes chamber musicFrom Dohnányi’s string trio to Schumann’s piano quartet, a few pointers to help follow the roles and exchanges between instruments.
James Brandon Lewis: distinguishing Red Lily from concerts with The Messthetics*Calling Antonín* was released on 23 October. The concerts announced in Paris and Tours feature a different line-up: a guide to the projects, dates and venues.
Revin: population, culture and forest, three scales for understanding the townInsee figures, the Espace Jean Vilar and the primary forest project shed light on different aspects of the area. Their timelines and scope are not the same.
Concerts for children: choosing between opera, a cine-concert and an orchestra from 28 to 31 OctoberIn Dinard, Paris and Montpellier, three ways to get into music during the 2026 school holidays. Recommended ages and formats matter just as much as the repertoire.
Thomas Ospital: why every organ demands a new process of adaptationKeyboards, tonal possibilities and preparation time: the organist’s documented career sheds light on what happens before a recital.
Charpentier’s Médée: voices bring the tragedy to life in concert performanceThe concert on 30 September 2026, featuring Marie-Nicole Lemieux and Les Épopées, was broadcast on France Musique on 24 October. A few pointers for approaching the work.
Haydn: the concerto that makes a new trumpet singWritten in 1796 for Anton Weidinger, the E-flat concerto accompanied an innovation: a trumpet capable of playing the entire chromatic scale.
Ino Casablanca extends EXTASIA with ten additional tracksReleased on 23 October, EXTASIAAAAA doubles the original project: twenty tracks in total, while “PA’ TOUCH” remains a separate single.
Marguerite: ‘Heal’ before her concert at the Rockhal in JanuaryThe singer is scheduled to perform at the Club on 14 January 2027. Her debut album follows on from the EP ‘Grandir’; an overview of the project and the Belval date.