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After Pleyel, Hervé Vilard continues his tour: at 80, the audience remains his driving forceHis Paris concert on 25 October is over, but Hervé Vilard’s return to the stage continues. The artist links this new chapter to words, musicians and, above all, the connection with the audience.
Une femme aujourd’hui: Guédiguian links the personal to collective historyReleased in France on 21 October, the film puts Marilou Aussilloux at the centre of a story of rebuilding. Robert Guédiguian’s intentions shed light on the project.
Together: Irina Chostakovitch at the heart of a collected accountCollected by Elena Yakovitch and translated by Maria Matalaev, Irina Chostakovitch’s testimony conveys an intimate memory. A look at how it was made.
At Père-Lachaise, Bartholomé sculpts a collective memoryWith his war memorial, Albert Bartholomé shifts the focus from famous tombs to the unnamed. His models shed light on this compositional choice.
Moulin: Lellouche and Eidinger, two ways of inhabiting a roleFace to face in Moulin, the two actors describe different methods. Their accounts shed light on the preparation involved and the trust needed between co-stars.
Dominique A: with Mark, a youthful influence finds its way into SpiralesThe song Mark refers to The Opposition singer. This memory sheds light on an album where Dominique A returns to the electric guitar and places from his past.
Information fatigue: what the 2026 surveys measureFeeling fatigued, taking voluntary breaks and avoiding the news are not the same thing. French and international surveys help explain these differences, without making a medical diagnosis.
Hôtel Paris: Théodore Eristavi tells a story of exile between two worldsShortlisted for the second round of the La Renaissance Française prize, Théodore Eristavi’s novel revisits a departure from Georgia and a childhood in Montmartre.
Nostalgia: preferring 1975 does not prove life was betterA poll about the era in which people would like to have been born and the memory of an experience are not telling the same story. Here’s how to tell them apart.
Salima Bouayad Agha: preparing to swim the Channel with a purposeAt 67, the swimmer covered the distance from Dover to Sangatte on 3 October. Her accounts shed light on preparing for open-water swimming and her commitment to France Parkinson.
Amine Kessaci: from the Conscience association to Marseille City HallHis commitment did not begin with family tragedies. Founded around environmental issues in 2020, Conscience’s work expanded to supporting families; Amine Kessaci now also holds municipal office.
In Paris, ‘The Ogresses’ Ball’ brings thirteen artists together around storiesShowing at ICI Léon until 7 February 2027, the exhibition takes Aïcha Kandisha as its starting point to explore the body, memory and transmission.