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Refugees: who is included in the figure?UNHCR statistics distinguish between refugees, asylum-seekers and internally displaced people. The end-of-2025 figures also show why age data remain incomplete.
RAVeL: choosing your section towards LiègeLines 38 and 39 link the Three Borders to Chênée over 50 kilometres. Starting point, gradient and return journey: how the two stages affect your plans for a ride.
Passkeys: preparing for your next phonePasskeys can be synchronised or tied to a device. Before changing phones, it is worth checking how they are stored and recovered.
Updates: from what date?How long a smartphone receives updates also depends on the starting point used. The Pixel example and the European framework illustrate two different timelines.
Who measures the kilometres in a race?Calibrated bicycle, shortest route and record criteria: the official distance of a race is not the same as an individual runner’s route.
The memory of paint fragmentsAt the National Gallery, projects link samples, images and earlier analyses. A way to make better use of paintings’ material archives.
At the CNCS, costumes’ second life also unfolds flatIn Moulins, the CNCS’s twentieth-anniversary exhibition opens up the behind-the-scenes world of its collections. Why does a garment made for movement become an object that must be protected from its own weight?
A panel to make your priorities heardOn 16 October in Kirchberg, residents are invited to discuss democracy and protecting everyday life. Before taking part, here is what the announcement and registration form say.
Accessible cinema: check the screening, not just the filmAudio description, adapted subtitles, access to the auditorium: these details do not answer the same question. A quick check before booking can prevent a screening from being unusable.
Object ID: giving your collection a precise memoryA single photograph does not tell you everything about an object. The standard presented by ICOM helps bring together identifying information, which is useful in particular if an object is lost or stolen.
The Antwerp Six: one collective name, six individual pathsAt MoMu, the exhibition looks back at the international breakthrough of 1986. An opportunity to consider what connects six designers without reducing their work to a single style.
Costume Art at the Met: seeing the body through clothingIn New York, the Metropolitan Museum brings garments into dialogue with works from its collections. A way of questioning the place of the clothed body in art history.