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Two people in front of a laptop, an illustrative photograph of digital exchanges. The photo does not show the bear image in question.AI · Oct 27, 2026A fake bear created by AI, a real alert: how the context was lostThe street was real. The bear, however, had been added using an artificial intelligence tool. In Magdagachi, in Russia’s Far East, the photograph left a private exchange and triggered a search for an animal that did not exist.Pencil resting on an open notebook with blank pages, an illustrative photograph of writing, unrelated to the participants in the Parkinson’s study.Health · Oct 27, 2026Parkinson’s: what AI looks for in a pen’s movementsThe line drawn is only part of the information. The pen’s speed, pressure and changes of direction also provide information about the movement.Several people work around laptops; a generic illustration of consulting digital information.Media · Oct 27, 2026Protest videos: find the context before believing the captionAn old crowd or a scheduled military convoy can be given a misleading caption. Two documents show how to verify the date, place and context.Demonstrators on Boulevard Soult in Paris on 24 October 2026. Illustration of the national mobilisation, unrelated to events in Nice and Montpellier.France · Oct 27, 2026Violence on 24 October in France: established facts in Nice and MontpellierIn Nice, 59 people taken into police custody; in Montpellier, clashes and a referral to the justice system.Rebeka Warrior, wearing a hood and sunglasses, sings into a microphone on a blue-lit stage.Books · Oct 27, 2026All the Lives of Rebeka Warrior: writing when death enters the roomA bedroom, a mosquito net, a narrator keeping watch: in the extract from All the Lives offered by Stock, death becomes a presence they try to keep at bay.Several glasses of white wine photographed close up, a generic illustration of alcohol consumption unrelated to the people studied.Health · Oct 27, 2026Alcohol and sex: when desire and the body fall out of syncFeeling freer in your actions and less receptive to sensations can happen during the same evening.Orchestra in the Radio France auditorium in Paris in 2014, an archive photograph illustrating orchestral work; this scene does not depict Carmen in Pontacq.Performing arts · Oct 27, 2026In Pontacq, learning Carmen before singing it on stageTaking part in Carmen through the chorus, learning the score and then working on performance with professionals: this is the programme announced in Pontacq for the first half of 2027.Facade and columns of the Jeu de Paume in Paris.Visual arts · Oct 27, 2026Ana Mendieta: what film preserves of bodies and landscapesThe Siluetas are traces, but Ana Mendieta’s work also includes 104 films. The archives of two museums shed light on the role of duration and transformation.Agnès Varda at a microphone, hands raised, in front of a blue background.Visual arts · Oct 27, 2026Agnès Varda: what her photographs make of everyday lifeA child with angel wings, a courtyard turned into a gallery, familiar objects: three clues to discovering Agnès Varda’s photographic work.Coca leaf covered in water droplets, photographed close up.Politics · Oct 27, 2026Bolivia: why the coca leaf remains controlled despite its traditional usesThe cultural uses of coca continue to be recognised within a national framework. International controls also address the risk of diversion to cocaine production, while the area under cultivation continues to grow.Brass cogs in a clock mechanism.Visual arts · Oct 27, 2026Petit Pierre: saving a carousel, preserving a world in motionAt La Fabuloserie, Pierre Avezard’s carousel was dismantled and reassembled before his death. Its story sheds light on what it means to preserve a mechanical work of art.Close-up of a Nikon F film camera and its lens.Music · Oct 27, 2026Christian Rose: photography as a record of musicFrom the pages of Jazz Magazine to record sleeves, Christian Rose accompanied decades of music. His archive, preserved in Paris, continues this work as a witness.
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