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Orchestra in the Radio France auditorium in Paris in 2014, an archive photograph illustrating orchestral work; this scene does not depict Carmen in Pontacq.Performing arts · Oct 27, 2026In Pontacq, learning Carmen before singing it on stageTaking part in Carmen through the chorus, learning the score and then working on performance with professionals: this is the programme announced in Pontacq for the first half of 2027.Facade of the Palais Brongniart, former home of the Paris Stock Exchange, in February 2018. Illustrative photograph.Finance · Oct 27, 2026Ten-year OATs: why crossing 5% matters for France5.082% on 22 October, then 4.907% on 26 October: the French ten-year yield crossed a threshold before falling back. This market movement affects the state’s future borrowing conditions.A footballer sits on the pitch tying his boots before playing. Illustration unrelated to the Lens - Paris FC match.Football · Oct 27, 2026Lens - Paris FC (2-1): how the Thauvin-Hazard duo turned the match aroundLens were trailing at half-time before goals from Thauvin and Hazard. A look back at the decisive change, the key statistics and the derby in Lille.Eric Lu at the piano at the Rady Shell in San Diego, in August 2023. An archival wide shot.Music · Oct 27, 2026Eric Lu: a journey through Chopin, Brahms and SchubertThe winner of the 2025 Chopin Competition brings together the three composers in his repertoire. His Paris recital and Impromptus album offer ways to discover his work.Portrait of Michel Ocelot in 2012.Music · Oct 27, 2026Azur and Asmar: when the music comes before the drawingReleased in France twenty years ago, Michel Ocelot’s film also owes its making to Gabriel Yared. The archives shed light on the role of the lullaby, gestures and silence.Several people work on laptops around a table. Illustrative photo, unrelated to secondary-school pupils or the ministerial conference.Education · Oct 27, 2026Parcoursup in 2027, replacement in 2028: what has been announcedThe French government promises to make Parcoursup more transparent from 2027, before replacing it in 2028. Additional places, classes of 28 pupils and renovations: the real timetable.Brass cogs in a clock mechanism.Visual arts · Oct 27, 2026Petit Pierre: saving a carousel, preserving a world in motionAt La Fabuloserie, Pierre Avezard’s carousel was dismantled and reassembled before his death. Its story sheds light on what it means to preserve a mechanical work of art.Older adults taking part in an aerobics and balance session in a group exercise room, some raising one leg. Archive photograph from 1988.Health · Oct 27, 2026Strengthening one leg at a time: what studies say about strength and balanceLunges, step-ups and glute bridges: unilateral training can complement traditional exercises, with no demonstrated advantage for building muscle.The crowd at the Woodstock festival site, photographed on 16 August 1969.Food and dining · Oct 26, 2026Woodstock: behind the granola, a kitchen to feed the crowdIn August 1969, shortages made food a major issue at the festival. The Hog Farm’s free kitchen tells a different story from the one played out on stage.A condenser microphone in a recording space, with a pop filter and acoustic screen.Music · Oct 26, 2026Boulez and the ‘Gurre-Lieder’: why this 1975 recording still mattersRecorded in London in 1974 and released in 1975, the *Gurre-Lieder* conducted by Pierre Boulez also tell the story of Arnold Schönberg’s musical evolution.Silvery sardines packed tightly together after being caught.Nature and environment · Oct 26, 2026Why the bolinche encircles shoals of sardinesA fish that lives in open water, a life in shoals and a net that closes underneath: understanding the link between sardines and this professional fishing technique.Auguste Rodin’s sculptural group The Burghers of Calais, photographed in London: illustrative archive image, unrelated to the 2026 publication.Visual arts · Oct 26, 2026‘Art History’: why telling the story of artworks differently changes how we see themA collective volume edited by Étienne Anheim, Laurence Bertrand Dorléac and Charlotte Guichard proposes revisiting art history through materials, places, problems and methods.
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