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Facade of the Musée Gaspar in Arlon, archival photograph from 2022Wallonia · Oct 21, 2026Arlon: what the posters tell usAt the Musée Gaspar, more than forty posters shed light on the messages addressed to the town. The exhibition can also be read through its printers, its intended audiences and the traces it leaves behind.Bottle-return machines in a supermarket in Berlin, 2022 archiveGermany · Oct 20, 2026Germany’s deposit scheme: two systemsMehrweg and Einweg do not lead to the same treatment. In Germany, the logo, material and shop all matter when it comes to understanding what happens to returned bottles.Birth certificate of Jane Kretz, a document from 1864 held at the Departmental Archives of Meurthe-et-MoselleGrand Est · Oct 20, 2026Archives: searching in the right placeIn Meurthe-et-Moselle, family records are spread across several portals. The commune, period and history of the collections all help guide the search.Bookcases and reading tables in the BnF’s Oval Room at RichelieuFrance · Oct 20, 2026What France keeps from its publicationsThe BnF’s 2025 figures bring together books, sound recordings and billions of web addresses. Legal deposit also shows how preservation is adapting to digital publications.Collecting water from communal taps in Pakistan, photograph from December 2010International · Oct 20, 2026Drinking water: what safe access measuresThe WHO–UNICEF report estimates that 2.1 billion people lacked a safely managed service in 2024. Distance, availability and quality account for this total.Detail of Joshua Reynolds’s portrait of Nelly O’Brien, a work in the Wallace CollectionVisual arts · Oct 20, 2026The memory of paint fragmentsAt the National Gallery, projects link samples, images and earlier analyses. A way to make better use of paintings’ material archives.Façade of the Comédie-Française with its red banners, Place Colette in ParisPerforming arts · Oct 20, 2026At Richelieu, surtitles move into the glassesThe Comédie-Française offers text that can be adjusted within the field of vision. In Paris, reserving the equipment and choosing the right device go hand in hand with booking a seat for the performance.Facade of the National Centre for Costume and Stage, behind its gateway in MoulinsFashion · Oct 20, 2026At the CNCS, costumes’ second life also unfolds flatIn Moulins, the CNCS’s twentieth-anniversary exhibition opens up the behind-the-scenes world of its collections. Why does a garment made for movement become an object that must be protected from its own weight?Reading tables and lamps at the BnL, seen from above, in November 2019.Opinion · Oct 3, 2026A quiet place, without having to buy anythingAt the BnL, the reading room is accessible without a library card. We believe that the option to stay and read or work deserves a place in the debate about libraries.Šilelis-405D portable television photographed at the Polytechnical Museum in Moscow in 2015Visual arts · Oct 2, 2026At Mudam, the 1980s in imagesUntil 11 October, Video Killed the Radio Star explores the place of images in the transformations of the 1980s. An exhibition to discover at Mudam.Facade of the Chamber of Deputies of LuxembourgReaders’ voices · Oct 2, 2026Ordinary petition: approach Parliament without a signature campaignIn Luxembourg, an ordinary petition puts a request in the public interest before the competent committee. Its process differs from that of public petitions.Black-and-yellow spotted salamander photographed close upNature and environment · Oct 2, 2026Salamanders: report without touching — the right thing to doIn Luxembourg, a photograph and precise location can help monitor Bsal. Official guidance distinguishes reporting an animal from handling it.
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