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Erik Orsenna and Claire-Marie Le Guay: two ways into BachA childhood memory, a book in two voices and a piano programme: Erik Orsenna and Claire-Marie Le Guay invite us to discover Bach through different doors. Here are some pointers for moving from the story to the works.
With Amour, Esther Abrami puts her own suite at the heart of the albumReleased on 9 October 2026, Amour brings together an original suite in nine movements and rearranged works. An introduction to the project and its collaborations.
Napoleon in Berlin: Beethoven’s ‘Eroica’ follows a different timelineOn 27 October 1806, the emperor entered Berlin. Yet the famous crossing-out in Beethoven’s Third Symphony was not a reaction to that parade.
Pink Martini: how Sympathique opens the door to a repertoire without bordersA song in French, a band born in Portland and a debut album that moves from one language to another: Sympathique sums up Pink Martini’s ambition.
Planète Ocora: Mexican strings and intertwining voices, from Noemi Gasparini to MAAARNoemi Gasparini’s violin, jarana and percussion; MAAAR’s three voices and accordion: Planète Ocora introduces two groups through their instruments and musical journeys.
Pierre Génisson: with Weber, several sides of the clarinetDue out on 30 October, the clarinettist’s double album brings together orchestra, piano and quartet. A guide to the programme and a career spanning a range of repertoires.
Clara Haskil: in Vevey, a refuge turned into a musical legacyA refugee in Switzerland from 1942, Clara Haskil left a mark that goes beyond her recordings. From her concerts to young pianists winning prizes in her name, Vevey offers a way to trace the paths of this legacy.
Boulez and the ‘Gurre-Lieder’: why this 1975 recording still mattersRecorded in London in 1974 and released in 1975, the *Gurre-Lieder* conducted by Pierre Boulez also tell the story of Arnold Schönberg’s musical evolution.
James Brandon Lewis: distinguishing Red Lily from concerts with The Messthetics*Calling Antonín* was released on 23 October. The concerts announced in Paris and Tours feature a different line-up: a guide to the projects, dates and venues.
Thomas Ospital: why every organ demands a new process of adaptationKeyboards, tonal possibilities and preparation time: the organist’s documented career sheds light on what happens before a recital.