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Pierre Rosenberg at the Louvre: what a museum chooses to show usExpanding galleries, enriching collections, opening the museum to other arts: Pierre Rosenberg’s tenure sheds light on the decisions that shape what visitors see.
Perec at the BnF: how a rule can open up an entire novelA missing letter, a puzzle-like building and variations: keys to understanding Perec’s choices and getting ready for the BnF exhibition, on until 14 February 2027.
Woodstock: behind the granola, a kitchen to feed the crowdIn August 1969, shortages made food a major issue at the festival. The Hog Farm’s free kitchen tells a different story from the one played out on stage.
Bayeux Tapestry: reading a conquest in the threads of an embroideryThe medieval work is on display in London until 11 July 2027. Its technique and the uncertainties surrounding its making invite us to look differently at this account of the conquest of England.
In Ghent, the design museum finds its home againA wing connects the buildings, the collection takes on a new perspective and CONNECT invites visitors to get hands-on. A guide to discovering the renewed museum.
SHAPES: forms in dialogueAt Cercle Cité, art and mathematics meet. The project’s origins and its extensions offer several ways to approach the exhibition.
At the CNCS, costumes’ second life also unfolds flatIn Moulins, the CNCS’s twentieth-anniversary exhibition opens up the behind-the-scenes world of its collections. Why does a garment made for movement become an object that must be protected from its own weight?
At Mudam, the 1980s in imagesUntil 11 October, Video Killed the Radio Star explores the place of images in the transformations of the 1980s. An exhibition to discover at Mudam.
Capsules: looking at art from the streetIn Luxembourg, Capsules turns vacant shop windows into exhibition spaces. The project, announced for autumn 2026, invites visitors to discover contemporary art on a stroll.
At the Mudam, Christine Sun Kim gives form to “forever”With FOR EVER, American Sign Language takes over the Mudam’s pavilion. The choice of the ground floor also puts visitor access at the heart of the project.