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Mobil Home: Florent Marchet draws on encounters to write about precarityIn the song that gives the album its name, Florent Marchet connects precarious housing with lives he has encountered. His interview with La Face B sheds light on his character-building process.
Tender Mercies: AM Higgins brings protest and the search for peace togetherReleased on 16 October 2026, the album is divided between Protest and Peace. Its credits show how vocals, piano, drums and guest musicians contribute to this collective project.
Dominique A: with Mark, a youthful influence finds its way into SpiralesThe song Mark refers to The Opposition singer. This memory sheds light on an album where Dominique A returns to the electric guitar and places from his past.
Planète Ocora: Mexican strings and intertwining voices, from Noemi Gasparini to MAAARNoemi Gasparini’s violin, jarana and percussion; MAAAR’s three voices and accordion: Planète Ocora introduces two groups through their instruments and musical journeys.
Dirty Dancing: the two eras of its soundtrackBe My Baby dates from 1963; the Dirty Dancing record from 1987. The credits reveal how old hits meet songs produced for the film.
James Brandon Lewis: distinguishing Red Lily from concerts with The Messthetics*Calling Antonín* was released on 23 October. The concerts announced in Paris and Tours feature a different line-up: a guide to the projects, dates and venues.
Joe Block: what There Is Always Hope changes in his careerA first small-ensemble album devoted to his compositions, thirteen tracks and one guest on just one track: a few pointers for discovering the pianist’s project.
Concerts for children: choosing between opera, a cine-concert and an orchestra from 28 to 31 OctoberIn Dinard, Paris and Montpellier, three ways to get into music during the 2026 school holidays. Recommended ages and formats matter just as much as the repertoire.