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Red mallets above the wooden bars of a marimba, illustrative photograph.Music · Nov 1, 2026CHLOÉ and Vassilena Serafimova: Sibelius between marimba and machinesAfter Classique & Mix on Radio France, the collaboration continues on FIP. A guide to a duo formed in 2017, the marimba and a symphony revised several times.A person plays the cello with a bow, near another person who is sitting — illustrative photo.Music · Nov 1, 2026In Saintes, C’Drôles opens up classical music to children through stories and instrumentsFrom 29 to 31 January 2027, the Abbaye aux Dames will host C’Drôles. Shadow theatre, cello and guitar: the first offerings provide some pointers for choosing a family outing.Reels and film on an old projector in front of a red curtain, illustrating cinematic heritage.Cinema · Nov 1, 2026The Devils: what restoration changes in Ken Russell’s filmThe return of The Devils to cinemas invites us to separate three stories: the Loudun affair, Ken Russell’s perspective and the cuts that transformed his film.Rows of red seats in a dimly lit, empty cinema.Cinema · Nov 1, 2026Why do we enjoy being scared at the cinema? The thrill is about more than a jump scareA noise, a moment of anticipation, a danger we know is fictional: horror films play on several levels. Research sheds light on this particular pleasure without suggesting it is universal.Black grand piano with its lid open at the Kunsthalle in Mainz; illustrative photograph.Music · Nov 1, 2026Erik Orsenna and Claire-Marie Le Guay: two ways into BachA childhood memory, a book in two voices and a piano programme: Erik Orsenna and Claire-Marie Le Guay invite us to discover Bach through different doors. Here are some pointers for moving from the story to the works.Shelving and reading tables in the Nuova Manica Lunga library at the Giorgio Cini Foundation in Venice, in July 2021Music · Nov 1, 2026Antonio Fanna: how sheet music helped rediscover VivaldiAntonio Fanna, who died aged 100, helped put Vivaldi’s works back on music stands. Catalogues, scores and critical editions shed light on this collective endeavour, which is still ongoing.Ivory horse’s head carved at Hohle Fels, displayed on a metal support shaped like a body.Science · Oct 31, 2026Hohle Fels: what miniature art reveals about prehistoryTwo ivory birds, discovered in 2025 and presented in July 2026, add to the story of this German cave. From the carved horse to the flute, how can we interpret these objects without inventing a story for them?Hervé Vilard holding a microphone during a public appearance in Bourg-en-Bresse in 2016Music · Oct 28, 2026After Pleyel, Hervé Vilard continues his tour: at 80, the audience remains his driving forceHis Paris concert on 25 October is over, but Hervé Vilard’s return to the stage continues. The artist links this new chapter to words, musicians and, above all, the connection with the audience.Illustration: close-up of the strings and body of an orange electric bassMusic · Oct 28, 2026Julien Rieu de Pey: from backing bass to solo projectWith L’avenir des pierres, released on 23 October 2026, bassist Julien Rieu de Pey continues a documented move from backing others to writing in his own name.Ibeyi’s two members on stage among keyboards, microphones and percussion, in 2018.Music · Oct 28, 2026Ibeyi: with Offering, independence is built togetherReleased on 26 June 2026, the duo’s fourth album marks a new chapter: their own label, new producers and a different way of writing together.Literary event with Florent Marchet at the Charabia festival in Reims in 2024Music · Oct 28, 2026Mobil Home: Florent Marchet draws on encounters to write about precarityIn the song that gives the album its name, Florent Marchet connects precarious housing with lives he has encountered. His interview with La Face B sheds light on his character-building process.Microphone in front of an acoustic panel, illustrationMusic · Oct 28, 2026La Foudre: Aloïse Sauvage puts movement before wordsFor La Foudre, released on 23 October, Aloïse Sauvage says she changed the way she writes music. The album took shape with Mathieu Epaillard, starting with the body and melodies.
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