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A person plays the cello with a bow, near another person who is sitting — illustrative photo.Music · Nov 1, 2026In Saintes, C’Drôles opens up classical music to children through stories and instrumentsFrom 29 to 31 January 2027, the Abbaye aux Dames will host C’Drôles. Shadow theatre, cello and guitar: the first offerings provide some pointers for choosing a family outing.Black grand piano with its lid open at the Kunsthalle in Mainz; illustrative photograph.Music · Nov 1, 2026Erik Orsenna and Claire-Marie Le Guay: two ways into BachA childhood memory, a book in two voices and a piano programme: Erik Orsenna and Claire-Marie Le Guay invite us to discover Bach through different doors. Here are some pointers for moving from the story to the works.René Clemencic at the centre of his ensemble in Waidhofen an der Ybbs; archive photograph.Music · Oct 28, 2026Mnouchkine’s Molière: an original score and borrowed musicThe film credits and the album programme shed light on the roles of René Clemencic and his ensemble, as well as on pre-existing works.The flower-filled courtyard and façades of the Musée régional d’Auvergne in Riom.Performing arts · Oct 28, 2026In Riom, stories move from the museum to Universal GrimmOn 8 November, a family workshop tour at the Musée régional d’Auvergne comes before Universal Grimm at the Dumoulin hall. Two events for ages 8 and over, with different times and prices.The façade of the Eden Théâtre in La Ciotat, photographed in May 2018.Business · Oct 28, 2026Cinema in France: looking beyond a single month for signs of recoveryFrench cinemas recorded growth in the first nine months of 2026, despite a decline in September. A national trend that should be distinguished from regional initiatives.Entrance to the Centre culturel d’Uccle, photographed in March 2013; archive view of the venue for the scheduled performances.Performing arts · Oct 28, 2026La Rencontre: Thierry Lhermitte lends his life story to Charles Pépin’s philosophyDirected by Steve Suissa, the one-man show brings together the actor’s encounters and a philosophical essay. Two performances are scheduled in Uccle on 24 and 25 November 2026.Vincent Delerm at the Paris Book Fair in 2012, photographed in black and white.Performing arts · Oct 28, 2026Le Fait d’habiter Bagnolet: hearing thoughts rather than conversationIn Vincent Delerm’s play, directed by Sophie Lecarpentier, a romantic dinner is told from the inside. The production archives shed light on this approach, led in particular by Marie Payen and Frédéric Cherboeuf.Éric Naulleau and Judith Magre at the Théâtre de Poche-Montparnasse, on 2 March 2026; archive photograph.Performing arts · Oct 27, 2026Judith Magre and Éric Naulleau: Ionesco between reading and conversationAt the Théâtre de Poche-Montparnasse, the duo explores Eugène Ionesco’s work in a discussion combining texts and commentary. It is a way to approach several plays rather than follow a single plot.Anaïs Delva, who plays Fiona in Shrek the Musical, in a 2016 portrait; archive.Performing arts · Oct 27, 2026Shrek at the Folies Bergère: the fairy tale comes to life with a French cast and voicesJeff Broussoux plays the ogre and Anaïs Delva the Princess Fiona in the production adapted and directed by Philippe Hersen. Cast, announced plans and practical details for this family show.The bridge and banks of the Loiret in Olivet, illustrative photograph from 2008.Performing arts · Oct 27, 2026In Olivet, À Toutes Vapeurs brings its events to venues across the town from 3 to 15 NovemberConcerts, improvisation and an exhibition will take place at several venues in Olivet. Prices and access arrangements vary from event to event.Lakecia Benjamin playing the saxophone at the Oslo Jazz Festival on 16 August 2022. Archive photograph.Music · Oct 27, 2026We Dream: Lakecia Benjamin broadens the circle of her jazzOn We Dream, Lakecia Benjamin brings together instrumentalists and voices from a range of backgrounds around her alto saxophone.Marguerite Duras, seen from behind, beside Axel Bogousslavsky during a film shoot.Performing arts · Oct 27, 2026Duras: from La Musica to La Musica deuxième, a theatre that revisits itselfTwenty years separate the two versions of La Musica. A Paris revival invites audiences to rediscover this process of rewriting, also present in Les Eaux et Forêts.
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