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Photographer Wolfgang Tillmans at the K21 museum in Düsseldorf.Visual arts · Nov 11, 2026Wolfgang Tillmans, or how photography chooses the everydayFrom portraits to ‘Paper Drop’, Wolfgang Tillmans makes the everyday material to be selected and arranged. His unframed prints also invite us to see photography as an object made of paper, exposed to time and space.Cédric Kahn sitting on stage, microphone in hand.Cinema · Nov 11, 2026‘15/18’: Cédric Kahn films adolescence in child psychiatryDrawing on time spent in child psychiatry units, Cédric Kahn creates an ensemble drama about teenagers, their families and the professionals who care for them. ‘15/18’ opens in cinemas on 11 November 2026.Portrait of the writer Faïza GuèneBooks · Nov 11, 2026‘Salam manifesto’: Faïza Guène picks up the thread of the storyDrawing on her interview with France Culture and her publisher’s presentation, a look at ‘Salam manifesto’, the account in which Faïza Guène speaks out again about memory, language and inherited experiences.Official visit to Anthropic’s offices in San FranciscoAI · Nov 10, 2026Claude Sheets and Whiteboards: when AI enters shared documentsWith Sheets, Whiteboards, Claude Data and its connectors, Anthropic is moving Claude beyond chat and into shared documents and team tasks. Here’s what these tools can do, and what remains to be verified.Berolinahaus construction site and traffic on Alexanderplatz, Berlin, in 1931Books · Nov 8, 2026‘The Childhood of Ruins’: ordinary lives on the brink of upheavalIn ‘The Childhood of Ruins’, Pascal Rabaté adapts a novel by Erich Kästner and places the ordinary lives of Berliners on the threshold of the political rupture of 1932.Portrait of René Maran in a suitBooks · Nov 8, 2026René Maran’s « Batouala »: a Goncourt at the heart of the colonial contradictionWinner of the Goncourt in 1921, René Maran made « Batouala » a novel in which the African perspective shifts the colonial gaze. Its polemical preface and its fiction illuminate two distinct dimensions of his undertaking.Portrait of Muhammad Ali with his arms crossedTV series · Nov 8, 2026“The Greatest”: four years telling the story of Cassius Clay’s early daysAcross eight episodes, “The Greatest” follows four years of Cassius Clay’s early career, from his status as an Olympic champion to his victory over Sonny Liston. Its tight focus brings together boxing, racism, family and a change of name.Pastel portrait of Kaspar Hauser, by Johann Lorenz Kreul.Culture · Nov 8, 2026Kaspar Hauser: what the mystery reveals about those who told his storyThe 2024 genetic analysis rules out maternal kinship with the House of Baden for the samples attributed to Kaspar Hauser. It does not resolve his entire story, whose legacy also reveals the ideas and narratives of those who interpreted it.The LaM, a museum of modern, contemporary and outsider art in Villeneuve-d’Ascq.Visual arts · Nov 8, 2026‘Singulières’ at the LaM: looking at the works beyond the labelsAt the LaM, more than 300 works by 70 international women artists make up ‘Singulières’. The exhibition questions the categories and absences that have shaped women’s place in art history.Jane Austen’s house in Chawton, a red-brick building in Hampshire, illustrative photograph.Books · Nov 8, 2026In Sense and Sensibility, love also runs up against moneyIn Jane Austen’s novel, the contrast between Elinor and Marianne is not simply reason versus passion: inheritance, money and economic dependence also shape their choices.Leo Brouwer conducting an ensemble, archive photograph from 2011.Music · Nov 6, 2026Leo Brouwer: discovering the composer beyond the guitarFrance Musique is opening its archives devoted to the Cuban composer. A journey through guitar, chamber music and percussion, with pointers for listening.Entrance to the ZChow cinema in Beijing, in August 2025, illustrating the Chinese cinema market.AI · Nov 6, 2026Sanxingdui: AI cinema faces the test of public opinionThe difficult launch of “Sanxingdui: Future Past” highlights the limits of a technological promise, without summing up the future of AI in cinema.
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