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Why do we enjoy being scared at the cinema? The thrill is about more than a jump scareA noise, a moment of anticipation, a danger we know is fictional: horror films play on several levels. Research sheds light on this particular pleasure without suggesting it is universal.
Hohle Fels: what miniature art reveals about prehistoryTwo ivory birds, discovered in 2025 and presented in July 2026, add to the story of this German cave. From the carved horse to the flute, how can we interpret these objects without inventing a story for them?
Election images: ChatGPT’s filter, between illustration and photorealismThe filter reported by CNET turns some requests into stylised images. But two French tests described by Next produced different results: friction in image generation is not a check on the truth.
Éclats de guerre: Patrick Chauvel, from reporting to narrativePublished on 21 October 2026, Patrick Chauvel’s book extends in written form a body of witness work whose 380,000 images are held at the Mémorial de Caen.
Le Charles: filming a drama series on an operational aircraft carrierMilitary exercises, restricted access, reconstructed sets: production accounts of Le Charles show how the ship dictated some of the crew’s work.
Moulin: Lellouche and Eidinger, two ways of inhabiting a roleFace to face in Moulin, the two actors describe different methods. Their accounts shed light on the preparation involved and the trust needed between co-stars.
La Gradiva: Marine Atlan creates an ensemble film from teenagers’ perspectiveReleased in France on 21 October 2026, Marine Atlan’s first feature follows a class in Naples and Pompeii. The director explains how encounters, rehearsals and editing shaped this collective story.
In Olivet, À Toutes Vapeurs brings its events to venues across the town from 3 to 15 NovemberConcerts, improvisation and an exhibition will take place at several venues in Olivet. Prices and access arrangements vary from event to event.