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Mnouchkine’s Molière: an original score and borrowed musicThe film credits and the album programme shed light on the roles of René Clemencic and his ensemble, as well as on pre-existing works.
With Amour, Esther Abrami puts her own suite at the heart of the albumReleased on 9 October 2026, Amour brings together an original suite in nine movements and rearranged works. An introduction to the project and its collaborations.
Planète Ocora: Mexican strings and intertwining voices, from Noemi Gasparini to MAAARNoemi Gasparini’s violin, jarana and percussion; MAAAR’s three voices and accordion: Planète Ocora introduces two groups through their instruments and musical journeys.
Clara Haskil: in Vevey, a refuge turned into a musical legacyA refugee in Switzerland from 1942, Clara Haskil left a mark that goes beyond her recordings. From her concerts to young pianists winning prizes in her name, Vevey offers a way to trace the paths of this legacy.
Bach rediscovered, transcribed, reinvented: three ways to bring his repertoire to lifeThe tenth anniversary of *Le Bach du dimanche* brought together archival research, jazz and contemporary composition. A programme to understand how a body of work continues to circulate.
Dohnányi and Schumann: how the piano changes chamber musicFrom Dohnányi’s string trio to Schumann’s piano quartet, a few pointers to help follow the roles and exchanges between instruments.
Concerts for children: choosing between opera, a cine-concert and an orchestra from 28 to 31 OctoberIn Dinard, Paris and Montpellier, three ways to get into music during the 2026 school holidays. Recommended ages and formats matter just as much as the repertoire.
Beethoven in quartets: entering the cycle by listeningThe Philharmonie announces the complete quartets with Belcea and Ébène in 2026/27. An opportunity to discover this repertoire without feeling obliged to know its entire history.