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Jean Amrouche, in profile, wearing a burnous and looking down.Books · Oct 28, 2026Jean Amrouche: the interview serial, a work in two voicesIn 1949, his conversations with André Gide established a serial format on the radio in which preparation mattered as much as conversation. The archives help us understand the method.Ibeyi’s two members on stage among keyboards, microphones and percussion, in 2018.Music · Oct 28, 2026Ibeyi: with Offering, independence is built togetherReleased on 26 June 2026, the duo’s fourth album marks a new chapter: their own label, new producers and a different way of writing together.Two unoccupied desks with chairs and telephones in a workspace, illustrative photograph.Jobs · Oct 28, 2026France: leave for victims of sexual violence remains under debateThe measure passed on 13 October distinguishes between employees and public-sector workers. It remains a proposal, while current obligations regarding harassment remain in force.Microphone in front of an acoustic panel, illustrationMusic · Oct 28, 2026La Foudre: Aloïse Sauvage puts movement before wordsFor La Foudre, released on 23 October, Aloïse Sauvage says she changed the way she writes music. The album took shape with Mathieu Epaillard, starting with the body and melodies.Archive portrait of Robert Guédiguian in October 2011.Cinema · Oct 28, 2026Une femme aujourd’hui: Guédiguian links the personal to collective historyReleased in France on 21 October, the film puts Marilou Aussilloux at the centre of a story of rebuilding. Robert Guédiguian’s intentions shed light on the project.René Clemencic at the centre of his ensemble in Waidhofen an der Ybbs; archive photograph.Music · Oct 28, 2026Mnouchkine’s Molière: an original score and borrowed musicThe film credits and the album programme shed light on the roles of René Clemencic and his ensemble, as well as on pre-existing works.Bernard Lavilliers sings into a microphone on a blue-lit stage.Music · Oct 28, 2026Rite cruel: Bernard Lavilliers rediscovers the poetry of the ResistanceOn his album, released on 23 October, Lavilliers sets Berceuse des enfants d’Europe, a text by Louis Cauchois, to music. The interview and credits shed light on this choice of writing.National Police vehicle in Bordeaux, illustrative photograph from September 2012.France · Oct 28, 2026France: what it means to become a National Police reservistTraining in two stages, selection and supervised duties: the path of a voluntary citizen involves more than a few days of extra support.The flower-filled courtyard and façades of the Musée régional d’Auvergne in Riom.Performing arts · Oct 28, 2026In Riom, stories move from the museum to Universal GrimmOn 8 November, a family workshop tour at the Musée régional d’Auvergne comes before Universal Grimm at the Dumoulin hall. Two events for ages 8 and over, with different times and prices.Men waiting near food aid trucks in Somalia, archive photograph from December 1992.International · Oct 28, 2026Somalia: the food crisis is up against a lack of aid and the risk of floodingThe IPC projects that 5.4 million people will be in food crisis or worse from October to December. A lack of funding and the risk of flooding are complicating the response.Philippe Katerine on stage, holding a microphone with a pink feather boa around his neck.Music · Oct 28, 2026Blue Planet: Philippe Katerine writes to Nk.F’s musicReleased on 23 October 2026, the album extends a collaboration that was already under way on Zouzou. Katerine’s comments and the credits shed light on the move from instrumentals to songs.The British Museum reading room, photographed in 2004, as a reading illustration.Books · Oct 28, 2026La Mort devant soi: Rose-Marie Lagrave turns old age into an investigationAn introduction to Rose-Marie Lagrave’s autobiographical investigation into old age, dependency and care relationships, based on an extract and the contents page.
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